Sunday, June 28, 2015

Jack's Place: 18 X 30 panel. July is the time when I start thinking about my fall exhibits. It is also one of the busiest times for art shows. So, in preparation for the season I have finished another wall hanging. Simplistic design and bright October colors are sure to please. I call it Jack's Place because it reminds me of a gathering of friends. The fox and bird enjoy the company of this friendly Jack O Lantern. The backdrop of the October sky against the fall leaves suggest the end of the season. This is another of my Bohemian Tapestries, made from the scraps of many former projects, held together with free motion quilting. My washing process results in extreme texture. This can be purchased at The Polish Pottery Shoppe You can see this on Off The Wall Fridays

Saturday, May 30, 2015

Modern Sunrise

Modern Sunrise. Modern Quilt Design. In thinking about how to use some of the class samples from the Modern Design class, I thought about combining these designs with some of my other pursuits, such as my thread painted images. I use photos of animals to come up with a facet rendition of color elements. Once I have used my artist inner eye to deconstruct the image into color sections, I draw up a pattern and cut out the shapes. I use scraps of fabrics from previous projects to use as if they were paint. This is not really a process that can be taught. It comes from years of developing the eye of a painter. Breaking down objects into sections of color, tint and shade for contrast. My rooster now has a more modern purpose. He has become a design element for the modern quilt. I like the look of this and can even see it as something I could use for advertisements or posters. This can be purchased through  The Polish Pottery Shoppe. You can see this on Off The Wall Fridays

Wednesday, April 29, 2015

Morning Song

Morning Song: 18 X 30 Bohemian Tapestry Panel. This actually is one of my favorites. All of my tapestries done in this style have the appearance of impressionism paintings, but I think that the tree on which the birds communicate looks more realistic. It adds some diagonal focus to the composition and also makes a good contrast to the background. The yellow bird dominates the scene and makes the story plain. He is the main character in this narrative and his song breaks the air on this clear spring morning. Even the robin stops to listen. This can be purchased at The Polish Pottery Shoppe  This can be seen on Off The Wall Fridays

Saturday, March 28, 2015


Thrush: Bohemian Tapestry 18 X 30. This is another one of my raw edge tapestries with a bird theme. I wanted to make some things that would bring the sights of summer back from a very long and cold winter spell. The bird is done on a peltex stabilizer with thread painting. It is then applique'd onto the panel. These panels can be purchased through The Pollish Pottery Shoppe. You can see this on Off The Wall Fridays

Sunday, February 22, 2015


Trio: Modern Quilt. This panel is yet another class sample for my Modern Quilt design class. I will be teaching this in 2 weeks so I am now collecting all my materials and class samples. The modern movement in art as well as the world of quilts has produced a more simplified composition for us to analyze. It is more about balance than intricate elements. As I said before, we are going on the premise that the use of at least 40% of negative space and the use of high saturation color will give a piece of art a more modern appearance. Although Modern Quilts as well as Modern Art can take many forms. Traditional patterns used in a Modern way can make a striking contrast in a show full of traditional art or quilts. In Trio, I have used a lot of vertical and horizontal balance to work against each other. I have also used the combination of the curved line against the straight line to create the best interest. Assemetrical balance is also a great way to create an artistic approach to your design. These are fun and simple to make. The circles have been fused, but the rest is pieced. This can be seen on Off The Walls Friday

Wednesday, January 28, 2015

Summer Tanager: Bohemian Tapestry Series. 12 X 22 panel. This is another in the series of what I call my Bohemian Tapestries. The reason I call them this is because I use a lot of scrap material that would seem to have no relation to each other. But somehow, when you cut them into scrappy pieces, lay them out on a muslin foundation and then cover the surface with free motion quilting, it seems to work. I have provided a bright songbird as a focal point to tell a story of a summer day. The bird has been threadpainted onto a peltex foundation and appliqued to the tapestry. This can be purchased through The Polish Pottery Shoppe  This can be seen on Off The Wall Fridays

Saturday, December 13, 2014

Bohemian Christmas Tree

Bohemian Christmas Tree is done in my improvisational tapestry style. I made several of these little panels for Christmas presents for friends. It was all done from scraps of previous projects. I call it bohemian because of the combinations of random colors and fabrics. I think that this sort of combination has a charm of it's own. All fabric cuts were laid on a muslin panel and water soluble stabilizer placed on top. Quilting patterns of random meandering is done on top of the stabilizer with heavy quilting thread. The whole top is put into the washer and dryer before it is placed on the batting and backing. This gives it a very textural tapestry look. I love this process. It is painting with cloth.

Around the World Blog Hop

I am participating in an International Blog Hop which means that I must tag someone here Kathie Schmidt is a mixed media fiber artist and author. She does improvisational piecing workshops and hand beading classes. I think you will enjoy seeing what she does. 

The rules are to answer these 4 questions about my art. So here they are:
1. Q. What am I currently working on?
     A. Currently, I am doing a study of Modern Quilts so that I can teach a design class in March. This class with be taught to traditional quilters and we will studying modern art and principles of design. 

2. Q. How does my work differ from others of it's genre'?
    A. Because I am also a painter, I do a lot of my work similar to painting with fabric. I particularly enjoy using a muslin base as my canvas and with scissors, cutting snippets and hunks of fabrics from scraps in my stash. I hand dye many fabrics for more vibrant colors but also use commercial fabrics. I have also designed a line of quilt panels I call Bohemian art. Made from a large variety of colors and patterns. Everything is done improvisationally. Much like knife painters. 

3. Q. Why do I write/create what I do?
     A. I found this one a little difficult to answer. It is a pleasure to create, of course, but it is also a lot of work. The only thing I can compare it to is a compulsion. A compulsion to communicate through expression, color and design. It is just a natural talent that I can't ignore. 

4. Q. How does my writing/Creative process work?
    A. My process usually comes from inspiration. Inspiration leads to imaging and imaging to planning. I make rough sketches to formulate my ideas, but don't spend a lot of time perfecting those ideas. The exception would be when I am doing a portrait. This is the ultimate perfecting process. My priority is balance and contrast for most things. Color comes next. You can decide to use color or just rely on contrast. They are both interchangable.